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| Re: | Ca De Bou Breeder Wanted | | Ad: | I've just graduated http://xnxx.in.net/xnnx/ xnnx The big studios and exhibitors certainly seem to hope so. “Premium pricing” for blockbusters and so-called event cinema is what mainly drives 3D – a full-price ticket for the IMAX can cost £17.90, more than the cheapest seats at Covent Garden – and the immersive afterwash of James Cameron’s success with Avatar, coinciding with the arrival of digital projection and a wave of new technologies such as 3D TV, can feel like an irresistible push into this not-so-new dimension. It won’t be long till “glasses-free” 3D becomes widespread. And since in the technical lingo 3D can be either “native” (shot in 3D) or “post” (applied digitally afterwards), we can look forward to issues of some selected classics with retrofitted 3D, such as Bertolucci’s The Last Emperor, screened at Cannes. When will Citizen Kane, say, famous since 1941 for its “deep-focus” effects, get the full 3D treatment?
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